
Photography is art after editing.
Photography is art after editing.
A night at the Emmys might be deemed to be a dream.
A night at the Emmys might be deemed to be a dream.
A SECOND LOOK
VISUAL ARTS FOR SOCIAL CHANGE:
Below is a curated collection of my work, each piece accompanied by a brief narrative that reveals its inspiration and intended message. Through these works, I explore themes of resilience, empowerment, and identity, aiming to shed light on personal and collective stories that often go unheard. Each piece is a window into my artistic journey—one that combines my passion for human rights, social justice, and the expressive power of visual storytelling. From photography capturing moments of quiet strength to paintings that celebrate the courage of marginalized voices, my art invites viewers to connect, reflect, and see the world from a new perspective.

"HER GALAXY"
This photograph placed 2nd place in the 2022 Agoura Hills art show. I labeled it "her galaxy" as the jellyfish is intended to represent a girl with her head in in the stars, living in her own world.

"GANG VIOLENCE, 2021"
Throughout 2021, a bounty of violence lead Haitians to seek sanctuary in Port-au-Prince. This city has fallen victim to a series of savage acts of violence. An estimated 95-armed gangs are provoking public panic. An early victim of this crime is the Haitian mother, Nathalie. Her home was set on fire during a battle between rival gangs. According to her testimony, her family was "collateral damage in the gang fights.” After hearing Nathalie’s story, I drew this image to depict a victim of gang violence. Through a combination of chaos, loneliness, and destruction, I believe this drawing is representative of the impact that gang violence has on innocent people like Nathalie.

"ENDANGERED ANIMALS"
Junior year of highschool I received first place in the Agoura Hills Art Show with this photo of a Bengal tiger, entitled “Fearless.” The Bengal tiger is known for its strength. Yet, few creatures are able to withstand the toll humanity inflicts. Due to a combination of hunting, poaching, and illegal trade, there are only 1,706 Bengal tigers left in the world which occupy only 7% of their historic range. Tigers are a hallmark of our world history which is seen specifically in India. Within ancient Indian art, tigers exist as displays of honor, bravery, beauty, and magnificence. In our world, we treat such valiant creatures as expendable. Last year I visited Boston's Franklin Park Zoo alone in winter. The tiger exhibit was coated in snow, and the tiger inhabitant approached me. I have never been this close to such a jaw-dropping creation. The rumors were true. Tigers are beauty. Tigers are strength. Tigers are spectacular. With this photo, I aim to compel viewers to support endangered animals.

"ANIMAL TRAFFICKING"
Animal trafficking jeopardizes the lives and welfare of animals such as the green tree python in my photograph. It is invasive. It is wrong. It is deadly. During a trip to the Los Angeles Zoo, I watched the green tree python in captivity, out of its element, on display. When I photographed the snake, rather than capturing the glass surrounding the creature or capturing the box it lived in, I intentionally used a black background. This resulted in the vocal point being the bright green snake itself. Through highlighting its color, its eyes, and its scales, I hope to show the viewers of my photo that this is a beautifully crafted living being that is worthy of freedom and deserving of respect. My objective through creating and editing this photograph is to bring awareness to the topic of animal trafficking and the vital importance of considering animals' welfare and honoring their rights. All living beings deserve to live peacefully, free of mankind’s touch and torture.


"RUBY RED"
My subject’s desire to be beautiful consumes her. She may look attractive on the exterior. Yet, the red of her pupils tells a different tale. They tell us she is bleeding and screaming inside, but not a soul can hear her cry. Her chiseled cheekbones, her lifted lashes, and her ruby red lips convince the world of her worth and value. But her inner self is different from her outer presentation. The all-consuming quest for perfect presentation overtakes her life's goals, suffocating her vision. Despite achieving a clear complexion, the world remains blurry. The red of her eyes represents how pursuing the beauty standard can alter how we see others and how we see ourselves. It becomes so obsessive that all we desire is a devilishly beautiful face.

"RIGHTS FOR INCARCERATED WOMEN"
The female prisoner, envisioned with wrinkles and rotting teeth, as a cigarette falls out of her mouth. This drawing represents society’s skewed assumptions about incarcerated individuals. These individuals are denied their fundamental right to feminine hygiene products: Tampons and pads, rare, expensive, and impossible to find, are like diamonds in prison. Society equates the arrest of a woman with her losing all aspects of her previous femininity. “Refeminization” has been recognized as a program for female imprisonment for centuries. Within the United States prison system, female prisoners do tasks that have always been considered women’s work, such as cooking, laundry, and sewing. Rather than pouring attention into recreating women, we should focus on ensuring access to reproductive products. The idea of "Refeminization" in the prison system reflects deep-rooted misogyny, reinforcing the belief that a woman's worth is tied to her adherence to societal norms of beauty and behavior, which can be incredibly harmful, especially in an environment as dehumanizing as prison. Society often overlooks the humanity and dignity of incarcerated women. The assumption that a woman loses her femininity upon being imprisoned is unfair. Instead of focusing on efforts to "refeminize" women behind bars, efforts should be directed at providing them with the same access to basic health care and hygiene products that any person would be entitled to outside of prison. These needs are a fundamental part of respecting their humanity, regardless of their gender, and have nothing to do with adhering to an archaic, gendered ideal of femininity.
"GUN CONTROL"
Junior year of high school, I had the opportunity to take my school’s World War II history class. It was through this curriculum that I met veteran Joe Govea, a visiting speaker and the subject of my drawing. As an 18-year-old he was handed an object used to kill. Joe Govea had to grip and hold the weight of a rifle. He carried the heavy promise of future pain: lives would be lost through his bullets, his fingers, and his aim. Although men and women of the WWII generation were eager to show their patriotism, they never wanted to live with the presence and consequences of guns, neither the trauma it brought upon them nor the death it inflicted on others. As Martin Luther King once said, “By our readiness to allow arms to be purchased and fired at whim, we have created an atmosphere in which violence and hatred have become popular pastimes.” Protect kids, protect each other, and protect peace, but do not protect the instrument that murdered 25 students on April 16, 2007 in Blacksburg, Virginia.

Art cultivates empathy. In my work, I strive to illustrate the beauty and boldness and bliss of the world's atypical populations. Through visual storytelling, I aim to alter society's assumptions about people with autism. My artistic involvement with the special needs ice hockey team, the California Condors, celebrates the respect I have for these athletes. Art tells the story of people whose tale is rarely told. This piece depicts a girl ice skating. Her legs appear broken, as if the world's cruelty attempted to disfigure her beauty. Even amid a bounty of ridicule, she continues to skate. She skates through their laughter, their comments, their judgements, and their assumptions.
"TO DANCE"

Her pupils are dilated as a sheen of sweat shadows her forehead. With caked-on red lipstick she tells the world she is feminine - with a hint of Great Gatsby glam and a touch of Hollywood pizzaz. However, some do not acknowledge her attempts to achieve beauty. Some only choose to see a drugged-up girl with no future. Others only see a victim of a bad childhood. Most see a lost girl looking for euphoria. This drawing is of a girl stuck in the cycle of drug use. Overdose happens. The CDC states that 70,000 US citizens died from overdose in 2017 alone. With my art, I want to depict the toll that substance abuse has on the body. By supporting organizations such as Women in Recovery, we can help these women heal and thrive rather than casting them aside and labeling them addicts. My subject is frail and bruised. But her drug use does not mean she is unworthy of our love and time and respect. Her eyes may be bloodshot, but her heart is still overwhelmingly and completely human.
"THE CYCLE OF ADDICTION"

Pascal Mannaert is a Belgian-born photographer who has traveled around the world for ten years, documenting the “Moms of the World.” He has visited eighty countries with at least one maternal photograph from each destination. Mannaert places the human beings as the main focus of his photographic work. His photos of “The Moms of the World” have two common themes: humanity and emotion. Pascal Mannaert claims that "when a mother poses with her child, happiness radiates automatically." For years I have been using his work for inspiration. On my trip to Africa, I watched in the distance as a mom held her daughter. This was the perfect representation of a mom’s natural and raw love. However, within developing countries, a combination of unhygienic childbirth and inadequate postpartum care leads to mortality in infants. By supporting the Malala Fund and Women for Women, we can aid in assisting moms of the world with the hardships that accompany the wonders and the beauty of motherhood.
"GLOBAL POSTPARTUM HEALTHCARE"
